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The Literary Legacy of C. S. Lewis(English, Paperback, Walsh Chad)


The Literary Legacy of C. S. Lewis(English, Paperback, Walsh Chad)
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Price:   1,943.00


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The Literariness of Media Art(English, Paperback, Benthien Claudia)


The Literariness of Media Art(English, Paperback, Benthien Claudia)
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The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian Formalism, the term `literariness' was coined. The driving force behind this theoretical inquiry was the desire to identify literature-and art in general-as a way of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of `literariness' is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations, and other media-based art forms. This volume uses as its foundation the Russian Formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as Neoformalism, intermediality, remediation, and postdrama.

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Medieval Images, Icons, and Illustrated English Literary Texts(English, Hardcover, Hilmo Maidie)


Medieval Images, Icons, and Illustrated English Literary Texts(English, Hardcover, Hilmo Maidie)
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The function of images in the major illustrated English poetic works from the Anglo-Saxon period to the early fifteenth century is the primary concern of this book. Hilmo argues that the illustrations have not been sufficiently understood because modern judgments about their artistic merit and fidelity to the literary texts have got in the way of a historical understanding of their function. The author here proves that artists took their work seriously because images represented an invisible order of reality, that they were familiar with the vernacular poems, and that they were innovative in adapting existing iconographies to guide the ethical reading process of their audience. To provide a theoretical basis for the understanding of early monuments, artefacts, and texts, she examines patristic opinions on image-making, supported by the most authoritative modern sources. Fresh emphasis is given to the iconic nature of medieval images from the time of the iconoclastic debates of the 8th and 9th centuries to the renewed anxiety of image-making at the time of the Lollard attacks on images. She offers an important revision of the reading of the Ruthwell Cross, which changes radically the interpretation of the Cross as a whole. Among the manuscripts examined here are the Caedmon, Auchinleck, Vernon, and Pearl manuscripts. Hilmo's thesis is not confined to overtly religious texts and images, but deals also with historical writing, such as Layamon's Brut, and with poetry designed ostensibly for entertainment, such as the Canterbury Tales. This study convincingly demonstrates how the visual and the verbal interactively manifest the real "text" of each illustrated literary work. The artistic elements place vernacular works within a larger iconographic framework in which human composition is seen to relate to the activities of the divine Author and Artificer.Whether iconic or anti-iconic in stance, images, by their nature, were a potent means of influencing the way an English author's words, accessible in the vernacular, were thought about and understood within the context of the theology of the Incarnation that informed them and governed their aesthetic of spiritual function. This is the first study to cover the range of illustrated English poems from the Anglo-Saxon period to the early 15th century.

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Ellis Parker Butler on the Fine Art of Writing Humor(English, Paperback, Butler Ellis Parker)


Ellis Parker Butler on the Fine Art of Writing Humor(English, Paperback, Butler Ellis Parker)
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Price:   281.00


Studies in Classic American Literature(English, Paperback, Lawrence D H)


Studies in Classic American Literature(English, Paperback, Lawrence D H)
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The Place of the Gospels in the General History of Literature(English, Paperback, Schmidt Karl Ludwig)


The Place of the Gospels in the General History of Literature(English, Paperback, Schmidt Karl Ludwig)
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A Study Guide for Rohinton Mistry's A Fine Balance(English, Paperback, Gale Cengage Learning)


A Study Guide for Rohinton Mistry
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Price:   931.00


Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures(English, Paperback, unknown)


Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures(English, Paperback, unknown)
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Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.

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Samuel Taylor Coleridge and the Fine Arts(English, Hardcover, Paley Morton D.)


Samuel Taylor Coleridge and the Fine Arts(English, Hardcover, Paley Morton D.)
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Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before.Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from Beaumont, to study Beaumont's small but elegant collection and to visit private collections. Before leaving for Malta in April 1804, Coleridge wrote 'I have learnt as much fr[om] Sir George Beaumont respecting Pictures & Painting and Paint[ers as] I ever learnt on any subject from any man in the same Space of Time.'In Italy in 1806, Coleridge's experience of art deepened, thanks to the American artist Washington Allston, who taught him to see the artistic sights of Rome with a painter's eye. Coleridge also visited Florence and Pisa, and later said of the frescoes in Pisa's Camp Santo: 'The impression was greater, I may say, than that any poem ever made upon me.'Back in England, Coleridge visited London exhibitions, country house collections, and even artists' studios. In 1814, both Coleridge and Allston were in Bristol - Coleridge lecturing, Allston exhibiting. Coleridge's 'On the Principles of Genial Criticism' began as a defense of Allston's paintings but became a statement about all the arts. This book, an important contribution to Coleridge's intellectual biography, will make readers aware of a dimension of his thinking that has been largely ignored until now.

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Literary Circles in Byzantine Iconoclasm(English, Hardcover, Prieto Dominguez Oscar)


Literary Circles in Byzantine Iconoclasm(English, Hardcover, Prieto Dominguez Oscar)
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Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. This is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identity. By examining the emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose iconophile identity was biasedly redefined by the political parties led by Theodoros Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature.

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